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Ong Sor Fern
Senior Culture Correspondent
sorfern@sph.com.sg
Theatre review: Brown Boys Don’t Tell Jokes offers detailed characterisation and serious themes
Arts Picks: Drum Tao, early Chinese mutual aid organisations and Vox Llinette concert
Commercial tenants in arts and heritage buildings contribute to foot traffic, bottom lines
Pesta Raya 2023: Music acts from keroncong to Dayang Nurfaizah, and theatre treats
I’d like to see more S’poreans appreciate local arts, and pay for it: Edwin Tong
Book review: Lady Macbethad reclaims real 11th-century woman behind the Scottish play
Arts Picks: Henry Purcell’s Dido, caregiving workshop and alcohol in Chinese history
Four new commissions, overseas shows for Singapore International Festival of Arts 2023
Objectifs expands into Artichoke space in 2024, seeks to raise $600,000
Arts institutions offer corporate training and retreat programmes with a twist
Drama Box, The Necessary Stage address issues of queer ageing in two plays
Theatre review: Tri Ka Tsai is a tuneful and subversive exploration of Hong Kong identity
Take a tour, watch a play: How the arts can give Singapore tourism a boost
Book review: Essays about Art Spiegelman’s Maus prove the graphic novel is a classic
Theatre review: Kafka’s Ape addresses racism in a tour de force performance
Arts Picks: Aliwal Urban Art Festival, Fan Shao Hua and Growing Home
Theatre review: Never The Bride is a choppy series of vignettes addressing gay marriage
Foodie treats in Taiwan’s laidback Yilan County
Arts Picks: The Culture Story’s Collecting Bodies, Asian Film Archive’s Anna May Wong double bill
Artsy heritage gems and laid-back getaways in Taipei
Year of revenge arts programming
Taipei Fine Arts Museum’s show revisits Taiwanese arts, entertainment of the 1980s
Huayi – Chinese Festival of Arts 2023 has live international acts for the first time in two years
Book review: Jim Crace’s Eden is a slice of storytelling heaven
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