‘See you in Valhalla’: How a Viking concept was popularised by the far right

At a press conference announcing that the suspect in the shooting of Charlie Kirk had been detained, FBI director Kash Patel ended his speech

with a personal message to his “brother”

, saying: “We have the watch, and I’ll see you in Valhalla.”

Many people commenting on the press conference reacted to this confusing reference to Valhalla with a mixture of amusement and disdain, with some pointing out the contradiction of eulogising a Christian nationalist with reference to the pagan afterlife.

For scholars of the Vikings, Mr Patel’s reference to Valhalla looked like something far more sinister. To understand why, we need to know both what Valhalla meant to the Vikings, and what it means in political discourse today.

The Norse peoples had a developed concept of the afterlife. The desirable destination for Norse warriors was Valhalla, the hall of the slain, where Odin watched over his band of chosen warriors as they prepared for Ragnarok, the world-destroying battle against the giants. Only those who died a heroic death in combat were brought to Valhalla by the Valkyries.

Those who died by sickness, old age or accident – or who had committed murder and other dishonourable crimes – seem to have been excluded from this martial afterlife. Some believed that you could cheat the Norse gods by arranging to be buried with deliberately worn and damaged weapons as if you had seen heavy combat. There’s a lot we don’t know.

What we do know is that in the 1930s the concept of Valhalla, along with the image of the heroic Viking and many of the symbols of Norse mythology, had a profound appeal to Nazi thought leaders. They looked to Norse mythology as a survival of a wider “Germanic” culture that had been erased by Judeo-Christian dominance.

The Nordic “race” was held up as the Aryan ideal. Norse cultural remnants were used to add legitimacy to the idea of a glorious German past. Heinrich Himmler, in particular, repurposed Norse symbols for use by the SS.

Today, many white supremacist and neo-Nazi groups continue to brand themselves using a widening range of symbols taken from Norse mythology. One aspect of Norse culture that has gained increasing prominence in the past few decades is the specific co-opting of Valhalla by those who are prepared to kill, and die, in the cause of “protecting” an endangered white supremacy.

Valhalla in terrorist manifestos

The most chilling example of the co-option of the phrase “see you in Valhalla” is found in the manifestos published by far-right terrorists in the wake of their atrocities.

In 2019, Brenton Tarrant carried out

mass shootings at two mosques in Christchurch

, New Zealand, in which 51 people were killed. He published a rambling manifesto in which he attempted to justify his actions, and touted the “great replacement” conspiracy theory, which holds that Jewish elites are deliberately engineering the replacement of white populations through immigration.

This has since become a far-right talking point and was pushed by Mr Kirk on his show. Tarrant signed off his diatribe against multiculturalism and “white genocide” by saying, “Goodbye, god bless you all and I will see you in Valhalla.”

Tarrant, in turn, influenced other far-right terrorists. One such terrorist, Payton Gendron, was

convicted of the Buffalo mass shooting in 2022

in which 10 black Americans were murdered. Gendron plagiarised much of his 180-page manifesto and similarly ends his screed with the statement: “I hope to see you in Valhalla.”

By invoking Valhalla, these terrorists are attempting to cast themselves as warriors in the Viking tradition. There is, of course, nothing remotely heroic about gunning down unarmed civilians.

But the point is that this reference doesn’t require any understanding of the Norse tradition. In this context, it comes directly from the Nazis’ fetishisation of violent death to secure the racial purity of Germany.

From terrorists to the FBI

Rather than borrowing from extremist discourse, Mr Patel may have been influenced by the use of “til Valhalla” by the US marines to honour fallen comrades – including those who died by suicide. This is a use that has been traced back to the influence of Norwegian Nato forces in Afghanistan, who may have used “til Valhalla” as a kind of battle cry. Of course, the optics of using a military honorific to commemorate the assassination of a civilian is problematic in itself.

Mr Patel’s “see you in Valhalla” was much closer in its wording to the sign-off used by far-right terrorists – but even this phrasing was unlikely to have been lifted directly from extremists. It is more likely an example of a phenomenon often observed in the study of the far-right online ecosystem, which is the seepage of extreme right discourse into more mainstream spaces.

Neo-Nazi groups use memes, s***posting and humour as a deliberate strategy to seed increasingly extreme ideas into groups amenable to their message.

It isn’t hard to find references to Valhalla commercialised, repackaged as inspirational Viking quotes for Maga consumption, referencing cancel culture, or even using Norse video games as a gateway to white supremacy. In this way, the more mainstream right often ends up sharing and amplifying extremist messaging.

Mr Patel’s reference to Valhalla was at the very least a huge misstep by a government official trying to appeal to the Maga base and elevate

Mr Kirk’s tragic killing

into a heroic warrior’s death.

While he may not have made his reference to Valhalla in knowledge of its association with far-right terrorism, it nevertheless served as a signal to white supremacists. As reported elsewhere, there was a lot of engagement from the extreme right on social media, but their posts tended to ridicule Mr Patel.

His words prompted memes on social media playing on the apparent absurdity of someone of Mr Patel’s ethnicity cosplaying as a Viking. And among this racially tinged mockery, there was also some revelling in the fact that a stock phrase of violent white supremacy had found its way into the mouth of the director of the FBI.