Bazaar NewGen finalist Joe Kean on his internship with Charles & Keith
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Mr Joe Kean did a six-month internship with home-grown shoe, handbag and fashion accessories brand Charles & Keith.
PHOTO: LAWRENCE TEO
Renee Batchelor
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SINGAPORE – Charles & Keith is probably one of the most well-known and well-loved Singapore brands with a truly global presence.
Specialising in footwear, handbags and fashion accessories, the brand boasts more than 640 stores in 35 retail markets, along with 55 online markets.
To design and create for Charles & Keith means that a young designer has a chance to not only learn from established designers and a large and successful company, but to also possibly make his design imprint on a global scale.
For Mr Joe Kean, one of six finalists for the Bazaar NewGen 2022 edition, the chance to do a six-month internship with the brand was an unparalleled learning opportunity.
A Nanyang Academy of Fine Arts graduate, Mr Kean was the crowd favourite in the NewGen competition. He won the Bazaar Academy Choice Award 2022 (as voted for by the Bazaar Academy) with his collection, Shapes Of Human, Human Of Shapes, which took inspiration from the human form.
The 25-year-old says of his internship, which started in March: “The experience has been amazing. It has opened up my knowledge about the industry by exposing me to a new part of fashion – shoe design.”
Another important skill he picked up was the importance of marrying functionality with aesthetics. “It is important to keep the target consumer in mind while designing,” he says.
Harper’s Bazaar Singapore spoke to Mr Kean as well as his mentor Fredie Stevens, director of design at Charles & Keith, to find out more about this opportunity, what he has learnt along the way and how working with a global fashion brand has changed his mindset.
What have you most enjoyed about your internship so far?
Joe Kean (JK): My internship placement has been with the Charles & Keith shoe design department, and I would say designing and sketching shoes is something that I have enjoyed the most.
I incorporated the design language that I applied on my garments into shoes, and it has been a joy being able to explore my creativity in a different way.
What has this design education meant to you as an aspiring designer?
Mr Joe Kean sketches designs on his iPad.
PHOTO: LAWRENCE TEO
JK: It means a lot for a young designer like me to be able to access materials and technology, and to have mentorship.
Having the opportunity to be placed in an internationally known company and to learn from designers who have been in the industry for years has influenced how I look at fashion, from both the design and business aspects.
What are some of your aspirations?
JK: I aspire to have a fashion label in the future. I am planning a collective fashion label with a few designers, but I want to push myself as far as possible in the fashion industry and to eventually have my own label.
Share more about this mentorship programme with Joe Kean. What was the path set for him?
Fredie Stevens (FS): Since starting his internship at Charles & Keith in March, Joe has become a well-loved member of the shoe design department and has shadowed different designers within the team during this time.
We wanted to make sure he takes away a very holistic experience of how it is like working in our studios and we curated a hands-on programme that ensures he learns the real-world processes when it comes to shoe design – from concept to sketch and from sampling to actualisation of the final shoe.
What kind of access was the brand able to grant him?
Shoe lasts that are used in the creative process are a part of Mr Joe Kean’s design education with the fashion accessories brand.
PHOTO: LAWRENCE TEO
FS: At Charles & Keith, we develop our own materials and colours for the collections, and we wanted to make sure Joe was privy to this side of design and production.
He came on board when we were designing the Summer line – always the most fun collection to work on – and assisted with the execution of ideas for prints and an intricate material for the season.
It was probably meaningful for him to understand first-hand what happens when a design that looks great on screen gets confronted with technical constraints and how to work towards an optimal resolution.
How has Joe contributed as a young designer to the Charles & Keith design studio and family, and what were some of his strongest attributes as a designer?
FS: It is a pleasure to have Joe around. He does not shy away from getting his hands dirty and has such a positive spirit. I personally love seeing his growth with this mentoring, as he actively tries to contribute and now has a specific customer persona or market in mind in his design process – something that is so intrinsic to our business.
What are some of the most important qualities that the brand looks for in aspiring young designers?
Designs from Charles & Keith’s Fall 2023 collection have a chunky aesthetic that references the sculptures of Romanian sculptor and painter Constantin Brancusi.
PHOTOS: LAWRENCE TEO
FS: The best asset for us in a designer is the combination of creativity and being able to understand what your customer wants. It is a great advantage when a designer is able to imagine what shoe the woman you are designing for would desire to have in her wardrobe in a year’s time.
Will Charles & Keith be doing more of such mentorship or internship programmes?
FS: Nurturing and growing talent is my personal passion and, as a brand, I know we would love to continue mentorship programmes with interested young talents from design schools, as well as those who might come through the door of incubator projects such as NewGen.
This article first appeared in Harper’s Bazaar Singapore, the leading fashion glossy on the best of style, beauty, design, travel and the arts. Go to harpersbazaar.com.sg
PHOTO: HARPER’S BAZAAR SINGAPORE

