Oscars 2025: I’m Still Here makes history as first Brazilian film to win Best International Feature

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Walter Salles wins the Oscar for Best International Feature Film for I'm Still Here during the Oscars show at the 97th Academy Awards in Hollywood on March 2.

Walter Salles wins the Oscar for Best International Feature Film for I'm Still Here on March 2.

PHOTO: REUTERS

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SAO PAULO/LOS ANGELES - Brazilian movie I’m Still Here, set against the backdrop of the military dictatorship and recounting the true story of a mother of five whose husband disappears, made history on March 2 by earning Brazil its first Oscar in a main category.

However, the film fell short of winning best picture, which went to Anora, and Brazilian actress Fernanda Torres did not win the Oscar for Best Actress.

Adapted from the poignant 2015 memoir written by Marcelo Rubens Paiva, the son of main character Eunice Paiva, I’m Still Here shares family’s heart-wrenching story of loss and resilience in the face of oppression.

In his acceptance speech, Brazilian director Walter Salles dedicated the award to Eunice Paiva and the two actresses that play her in the movie, Torres and her mother Fernanda Montenegro.

“I think it’s not a film that has been recognised. It’s a culture that’s being recognised. It’s the way we do cinema in Brazil that is being recognised,” Salles told reporters backstage.

The Paiva family was among the many victims of the military regime in Brazil, which lasted for 21 years and was established following a coup d’etat by the armed forces in 1964. During this period, thousands of people were detained, tortured, and hundreds forcibly disappeared, with many being exiled and persecuted.

Salles, 68, sees democracy becoming more fragile around the world.

“I never thought it would be so fragile in this country,” he said, referring to the US. “And therefore what happened in Brazil in the past feels very close to our present.”

The last Brazilian film to be nominated by the Academy in the international category was Central Station in 1999, also directed by Salles.

In 1960, France, Italy, Brazil co-production Black Orpheus, with a predominantly Brazilian cast and French direction won the international category, but the recipient of the prize was France.

The Oscars ceremony coincided with Brazil’s Carnival, and as the news of the win spread, the streets erupted in joy.

Thousands of revellers, many of whom were holding Oscar statuettes or dressed as Torres, celebrated with music, dance, and festivities, despite widespread frustration over her defeat.

Brazil’s President Luiz Inacio Lula da Silva posted on social media that the award recognised a work that showed the importance of fighting authoritarianism.

“Today is the day to feel even prouder of being Brazilian. Proud of our cinema, our artistes and, above all, proud of our democracy,” he wrote. REUTERS

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