Hit Man actor Glen Powell is willing to play the Hollywood game

LOS ANGELES – Glen Powell has been having a bona fide Hollywood moment.

The actor stood nude on a cliffttop with co-star Sydney Sweeney in the romantic comedy film Anyone But You (2023).

He is starring in Netflix’s Hit Man, a comedy-drama-thriller-romance written and directed by American film-maker Richard Linklater. And in July, he will be outrunning big-budget tornadoes in Twisters.

But a superstar in the making? I figured he was a dumb jock who coasted into a movie career on his all-American good looks.

I met Powell, 35, for breakfast in April. Over the next 2½ hours, a captivating person emerged: He dismantled my cynical assumptions one by one – starting with the notion that he had coasted into a movie career.

In fact, he struggled for years to gain a foothold in Hollywood. His first agency dropped him. “Lucky to be cast as a dead body in a crime show,” Powell was told after the split.

It also became clear why studios finally started to see him as a ticket-selling successor to Tom Cruise and other ageing (or problematic) action stars: Powell has a sharp mind for business and, at least for now, box-office dollars motivate him more than awards.

He has also acquired a bit more ruggedness with age, making him a more credible leading man.

“To be a lasting success in Hollywood, you have to make people money,” he said. “You have to go: ‘Who is the audience for this? Are you giving people a reason to buy tickets?’ And if you don’t have a very clear answer, move on, no matter how much you may love the script or want to work with the director.”

“Small, intimate movies are also on my bingo board of things I want to do,” he said. “But rewatchable is an important word. This is where I think actors who want to be serious get it wrong. Flogging yourself and showing how tortured and serious you can be – people often don’t rewatch, which takes all the power out of it.”

You have to understand: Actors almost never talk this way. They usually insist their career plans involve “just letting things happen”, perhaps sensing that having box-office ambitions could set themselves up for failure.

Powell is the opposite. “If you want this career, part of your job – a big part – is doing everything you can to help sell your movies,” he said. “Doing publicity matters. You’ve got to give people a reason to care.”

In cahoots with American actress Sweeney, Powell aggressively worked the publicity circuit to support Anyone But You, resulting in a promotional campaign that bordered on performance art. The movie had a terrible opening (US$6 million, or S$8 million, over three days), but went on to collect an astounding US$220 million.

“I know it’s a lot,” he told me, speaking of his workload, “but I’m kind of going full tilt right now for a reason. There is a moment in Hollywood when you have political capital, and you have to spend it before you lose it.”

Powell has signed up for a dizzying number of projects (while passing on others – reluctantly, he said – including new chapters in the Jurassic Park and Jason Bourne franchises).

His movie docket includes Huntington, an A24 dramatic thriller, and Monsanto, a legal drama produced by American screenwriter Adam McKay.

He is also set to star in a remake of The Running Man, a minor Arnold Schwarzenegger hit from 1987, and perhaps in a retooled Heaven Can Wait, Warren Beatty’s 1978 body-swopping comedy.

His television jobs include a Butch Cassidy And The Sundance Kid series for Amazon – with him in the Robert Redford role – and Chad Powers, a comedic Hulu series about a college football player.

Powell, of course, is also ready to get re-greased at a moment’s notice for Top Gun 3, after playing the cocky pilot Hangman in Top Gun: Maverick (2022) to wide acclaim. A sequel to the sequel is in development at Paramount Pictures.

And there are more films percolating: J.J. Abrams has not directed a movie since 2019, but he has a secret project in the works and Powell is in talks to play the lead.

“I think Glen has just begun to scratch the surface of what he is capable of onscreen,” Abrams recently told The Hollywood Reporter. “He’s not just an actor, but a legitimate writer and producer as well.”

Powell helped produce Hit Man. The “dumb jock” also co-wrote the screenplay with Linklater.

They loosely based the script on a 2001 Texas Monthly article about a mild-mannered man who worked undercover for the Houston police as a pretend assassin. Over a decade, more than 60 people unsuspectingly hired him and he wore a wire to gather evidence to use against them in court.

The result is part screwball comedy and part Body Heat (1981), with some Borat (2006 and 2020) flavouring. Reviews have been through the roof, prompting early awards chatter.

“Glen is one of the most curious people I have ever met, which is part of what makes him a terrific collaborator,” said his Hit Man co-star, Puerto Rican-Guatemalan actress Adria Arjona.

“The script he wrote with Rick was so smart and so unlike anything I had read. He can produce. He acts incredibly. He has like eight or 12 abs. Glen has it all.”

Powell’s rise in Hollywood started in 2015 with Scream Queens, a comedy-horror television series. The show lasted only two seasons, but his performance as an oversexed college student turned heads.

“I remember saying to him at the end, ‘You are going to be a big, big movie star,’” its star, Oscar-winning American actress Jamie Lee Curtis, recalled.

Perhaps because Powell is from Texas, he is often likened to American actor Matthew McConaughey. “Red meat for red states,” as one studio marketing executive described Powell.

Machismo is a Hollywood cliche for a reason: It works. Powell dials up that part of his personality as needed.

“My job is not to debunk the fantasy, but rather to become the fantasy,” as his character says in Hit Man. NYTIMES