Into The Modern: 7 must-see displays at National Gallery Singapore’s Impressionist exhibition

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National Gallery Singapore's Impressionism show – Into The Modern: Impressionism From The Museum Of Fine Arts, Boston – is the biggest one to come to South-east Asia.

National Gallery Singapore's Impressionism show – Into The Modern: Impressionism From The Museum Of Fine Arts, Boston – is the biggest one to come to South-east Asia.

ST PHOTO: SHINTARO TAY

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SINGAPORE – There are more than 100 works by 25 artists on display at Into The Modern: Impressionism From The Museum Of Fine Arts, Boston. The works on loan represent the best of the beloved art movement, with prime examples from its most famous painters such as Claude Monet, Pierre-Auguste Renoir and Paul Cezanne.

The show at National Gallery Singapore opens on Nov 14 and runs till March 1, 2026, so visitors can take their time ambling through the Singtel Special Exhibition Galleries.

Beyond the landmark works are smaller gems not to be missed. Here are some highlights from the show. 

1. Seacoast At Trouville (1881) by Claude Monet 

Claude Monet’s Seacoast At Trouville (1881) oil painting at National Gallery’s Impressionism show, Into The Modern.

ST PHOTO: SHINTARO TAY

Cap d’Antibes, Mistral (1888) by Claude Monet 

On the right is Claude Monet’s Cap d’Antibes, Mistral.

ST PHOTO: SHINTARO TAY

A pair of small, unassuming paintings, both focused on trees, by Claude Monet are displayed at different galleries. Seacoast At Trouville is an earlier work, painted at the popular resort town of Trouville which had boomed as a vacation destination with the arrival of railways.

One would not be able to tell from Monet’s work, however, that the coastline had become clogged with casinos and hotels. He chose to focus on a gnarled and crooked tree in a composition that took a leaf from a print by ukiyo-e master Utagawa Hiroshige. 

Cap d’Antibes, Mistral goes to the southern coastline of France, where the light so captivated Monet, he painted this view three times. The work is named for the cold wind that sweeps through the south of France into the northern Mediterranean. The trees here practically glow in the clear light and one can almost see the white dappled leaves fluttering in the wake of the wind. 

While these works may seem small, they are demonstrations of themes and techniques that obsessed Monet throughout his career: how to capture the different qualities of light in a constantly changing landscape, the Japonisme that influenced Impressionism, the dynamic brushstrokes he used when painting en plein air (in the open air). 

2. Georgette Chen’s paint tubes and pastels

Georgette Chen’s painting materials on display at Into The Modern.

ST PHOTO: SHINTARO TAY

Between two of the Singtel Special Galleries is a workspace for visitors to sit and try their hand at sketching. Do not skip the plain-looking tables, because the built-in glass displays house Nanyang pioneer Georgette Chen’s art supplies. There are also archival photos of the artist at work, painting en plein air like the Impressionists who pioneered this method of capturing fleeting scenes. 

3. Washerwomen Near A Bridge (1883) by Eugene Boudin

Washerwomen Near A Bridge by Eugene Boudin.

PHOTO: MUSEUM OF FINE ARTS, BOSTON

This small painting presents a scene of women doing laundry along the banks of the river Seine, with a bridge in the background. Its composition is almost exactly the same as an archival photograph which has been reproduced on an oversized banner hanging nearby. 

Photography and film were media which were then coming into common use. Just as the technology of generative artificial intelligence is challenging art makers today, artists then were also struggling with the then cutting-edge media of photography and film. 

4. Self-Portrait (1876) by Victorine Meurent 

Victorine Meurent’s Self Portrait (left) and Edouard Manet’s Olympia at National Gallery Singapore’s Impressionism show.

ST PHOTO: SHINTARO TAY

This Self-Portrait by Victorine Meurent is displayed next to an etching by Edouard Manet. She is the model for the work reproduced in the etching – Olympia, an 1863 painting that caused a scandalised uproar when it was first exhibited at the 1865 Paris Salon for its frank depiction of a modern naked woman.

What is less known is that Meurent was a respected artist in her own right. As can be seen from this conventionally composed work, she favoured a more traditional painting style than the Impressionists who painted her. In fact, in 1876 her work was accepted by the Salon which turned down Manet’s submissions. 

5. Dance At Bougival (1883) by Pierre-Auguste Renoir

Pierre-Auguste Renoir’s Dance At Bougival is one of the key pieces at the Impressionism show.

ST PHOTO: SHINTARO TAY

This instantly recognisable work is one of the key visuals for the exhibition, plastered on pillars at the entrance to the gallery. Bougival was a party town and that vibe is vividly conveyed in this work, where a couple seem ready to twirl off the canvas onto the gallery floor.

This is one of those works that repay close study as there are details that add to the atmosphere of the piece. Note the cigarette butts on the floor and the half-finished beer mugs on the table, contributing to the relaxed, casual air of the cafe setting.

The work is part of a trio of canvases – Dance In The City and Dance In Country – all completed in the same year for art dealer Paul Durand-Ruel. 

6. White Flowers In A Bowl (1885) by Berthe Morisot 

Berthe Morisot’s White Flowers In A Bowl.

PHOTO: MUSEUM OF FINE ARTS, BOSTON

One of the three grand dames of the Impressionists – the other two being Marie Bracquemond and Mary Cassatt – Berthe Morisot took part in seven of the eight Impressionist exhibitions. This simple still life demonstrates her technical skills – note that there are no harsh outlines, yet her loose brushstrokes capture the translucency of the water jug, the curves of the bowl and the frothy petals. 

7.  Meadow With Haystacks Near Giverny (1885) by Claude Monet 

Claude Monet’s Meadow With Haystacks Near Giverny.

PHOTO: MUSEUM OF FINE ARTS, BOSTON

 Grainstack (Snow Effect) (1891) by Claude Monet 

Claude Monet’s Grainstack (Snow Effect).

PHOTO: MUSEUM OF FINE ARTS, BOSTON

These two paintings carry stories about the Museum of Fine Arts (MFA), Boston’s stellar Impressionist collection.

Meadow With Haystacks Near Giverny and Cap d’Antibes, Mistral were bought by the brother of Lilla Cabot Perry. Perry was a painter who spent many summers in Giverny, befriending Monet, who also became her mentor. She encouraged her brother to buy these works, which were donated to the MFA. 

Grainstack (Snow Effect) was bought by Annie and Horatio Lamb who, during their honeymoon, visited Monet’s landmark 1891 exhibition with 15 Grainstack paintings. This work was donated by their daughters to mark the MFA’s centennial in 1970. 

While the French establishment was leery of the Impressionists’ work, American patrons were supportive from their early years.

Foodie treats

Look out for two sweet treats inspired by the exhibition. 

Anti:Dote is offering An Impressionist-Inspired Afternoon Tea in partnership with National Gallery Singapore’s Impressionism show.

PHOTO: FAIRMONT SINGAPORE

Renowned French patissier Pierre Herme will open an exclusive pop-up at National Gallery Singapore from Nov 14 to Dec 31. Into The Haute Patisserie will present Herme’s signature macarons in a special-edition box set decorated with two Impressionist artworks. 

Over at Fairmont Singapore, Anti:Dote will offer An Impressionist-Inspired Afternoon Tea. The menu, priced at $78 an adult, includes savoury bites such as Forest Mushroom Mousse and sweet pastries like a Strawberry Confit with Basil Tea Cake. The tea is available till Jan 31. 

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