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Olivia Ho
Book review: Francis Spufford hits high notes with hard-boiled mystery Cahokia Jazz
Book review: Space thriller meets Chinese history in Hao Jingfang’s dizzying Jumpnauts
Book review: In The Invisible Hotel, you can check out any time you like, but you can never leave
Book review: Choo Yangsze charms with fantastical tale of fox spirits
Book review: Eliza Chan’s watery fantasy Fathomfolk deals with the climate refugee crisis
Book review: Jesmyn Ward’s harrowing Let Us Descend enters the hell of American slavery
Book review: Adventure in 18th-century Senegal in David Diop’s Beyond The Door Of No Return
Book review: Paul Auster’s mournful Baumgartner is a novel of last things
The best books of 2023, according to The Straits Times’ writers
Book review: Gory, gender-bending game of thrones in Shelley Parker-Chan’s imperial China fantasy
Book review: Hiron Ennes creates parasitic body horror in debut novel Leech
Book review: Silvia Moreno-Garcia’s horror novel Silver Nitrate casts a dark spell
Book review: Shy by Max Porter is a dark, poetic look into a troubled teenage mind
Book review: Colson Whitehead steals the show in slick crime novel Crook Manifesto
Book review: In The Moon Represents My Heart, a Chinese family travels through time
Book review: Pink Slime by Fernanda Trias is set in a post-apocalyptic port city of poison
Book review: A Singaporean vigilante in Myle Yan Tay’s dark debut novel catskull
Book review: Sex dolls and a surreal, shadowy Hong Kong in Dorothy Tse’s Owlish
Book review: Sebastian Barry’s Old God’s Time plumbs a policeman’s painful past
Book review: Rachel Heng’s The Great Reclamation a sweeping epic about Singapore’s nation-building
Book review: Han Kang’s hypnotic Greek Lessons probes the limits of language
Book review: Retelling of Clytemnestra as vengeful warrior woman let down by tired prose
Book review: Maids solve murder mystery in Balli Kaur Jaswal’s Now You See Us
Book review: Booker Prize winner Eleanor Catton’s Birnam Wood is a scathing eco-thriller
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