The visible light spectrum – the portion of the electromagnetic spectrum that the human eye can see – typically ranges from 400 nanometre (nm) to 700nm. This range is what humans perceive as different colours.
BEYOND THE NAKED EYE
Infrared light has a longer wavelength and is invisible to the human eye.
By replacing an infrared cut-off filter – which blocks infrared light from reaching the camera sensor – with a clear filter, the sensor becomes able to capture infrared light. This process is known as a full-spectrum conversion. (Disclaimer: modifying your camera this way will void its warranty.)
By adding the appropriate filters, the camera sensor can capture infrared light and render it as visible colour – quite literally allowing the photographer to see the world in a different light. I was excited by the visual possibilities.
I was interested in a combination of filters that loosely emulates the effects of Kodak Aerochrome, a colour infrared film discontinued in 2009.
That film was developed with military applications in mind and was effective at detecting camouflage, which appeared green, while natural foliage was rendered red or pink because they reflected infrared light differently.
Modified camera in hand, I began exploring – searching for places that would look striking in red. Each time I looked through the lens, I was surprised all over again.
Though infrared photography was new to me, I found that the same principles of regular photography still applied. The light was important, and blue skies made all the difference.
Familiar places took on a surreal quality, while the people in them remained unchanged.
While white clothing remained unchanged, darker outfits appeared in varying shades of red. It was as if everyone were celebrating National Day, every day.