If you’ve spent time on TikTok, you may have come across a video like this…
How food diary videos on social media can impact your body image
If you’ve ever compared yourself with others while scrolling through TikTok, you’re not alone.
Eating-related content is hugely popular on TikTok, with trends such as What I Eat In A Day providing glimpses into users’ daily meals and diets.
Although they may seem harmless, some studies have shown that watching such videos can be associated with poor body image among young people.
While these videos don’t violate any content guidelines or explicitly promote unrealistic beauty standards, they can encourage social comparison.
Some What I Eat In A Day videos fall into the “broad, nebulously defined grey area of thin ideal content” showcasing food and diets that reflect an idealised standard of thinness, says Associate Professor Scott Griffiths from the University of Melbourne’s School of Psychological Sciences.
To get a better sense of what these videos contain, we looked at more than 100 TikTok videos linked to the hashtag #whatieatinaday. Here’s what we found.
These are the 113 TikTok videos we analysed using the hashtag #whatieatinaday.
About 88 per cent of them appear to be female content creators.
The videos fell into four broad audio categories: narration, TikTok voiceover, music or autonomous sensory meridian response (ASMR).
The biggest group is . In 44 per cent of the videos, the content creator talks about everything they ate in a day.
One particular soundtrack stood out: . About 10 per cent of videos featured this tune.
The videos were either generic or provided additional context.
For example, some content creators specifically mentioned their weight goal or used descriptors such as “fat”.
Others included clues to their identity, for instance, referring to their profession, as in “What I eat in a day as a doctor”.
In 89 per cent of the videos, the content creator engaged with the viewer. This could be in the form of selfies...
...or vanity shots, such as mirror selfies.
The What I Eat In A Day videos we found varied widely and followed no strict format. But the overall concept is to take viewers through a day in the life of the creator and showcase what they eat.
A small subset of these What I Eat In A Day videos – particularly those containing the Mario soundtrack – are intended to be funny. This is a TikTok trend where creators take multiple selfies of themselves having bites of food at different times of day, which are then stitched together in a loose narrative.
How can watching someone document their food intake affect body image? A key factor lies in how the videos are edited and what they imply.
Many of these What I Eat In A Day videos are edited in a style reminiscent of early Hollywood cinema, says Dr Sim Jia Ying, a film critic and media literacy lecturer at the Singapore University of Social Sciences. In classical cinema, the focus is often on achieving a happy ending, which does not always reflect reality, she adds.
Let’s break down one What I Eat In A Day video by a content creator with more than 1.7 million TikTok followers. The video has over 82,000 likes.
Here, the content creator documents all the meals she had throughout the day, beginning with a mirror shot of herself and ending with dessert.
These sequences are put together with and graphical elements such as time stamps and meal type.
These are techniques in continuity editing, where the aim is to make transitions between shots appear invisible to the viewer, suggesting that everything is perfect, Dr Sim says.
Click on the five sequences below to explore the video.
The song choice plays into the “happy ending” narrative seen in Hollywood cinema, Dr Sim says. Instead of genres such as techno or heavy metal, it is a lo-fi, bossa nova type of music that is often associated with lounges, she adds.
“These sounds create a sense that her life is a vacation.”
Ending with dessert, along with the relaxed audio tune, the idea of a perfect day is reinforced.
The techniques in continuity editing can also be seen in other videos, though they may have slightly different structures.
The order of the shots also influences how the viewer perceives the video.
If we split the video into individual shots, this is how it looks. The shots are stitched together to form a montage – a technique commonly used in film-making to suggest the passage of time.
One montage effect we see here is when similar eating shots are placed one after another. This gives the impression that the creator has eaten a lot, Dr Sim says.
Watching a thin girl eating a lot of snacks can trigger emotions of social comparison and envy, Dr Sim says. But, in reality, the creator may not have eaten as much as the video implies.
The shots can be categorised into different themes: vanity shots, engagement with camera shots, food shots and observational shots.
Montages can be used to evoke emotions by juxtaposing different shots with each other.
Placing the shot of the girl looking at herself in the mirror followed by a sequence of food shots, could suggest that one needs to eat these foods to achieve that appearance.
It’s all in the editing. Removing the shots of the girl looking at herself in the mirror could create a different impact on the viewer.
The above video drew close to 300 comments. One said: “Think you can eat anything you want and never worry about gaining weight.” Another added: “How you eat that much food but don't bloat.”
There were also others who pointed out that it’s all in the editing. One commented: “You are not eating anything you are just tasting.” Another added: “Guys, she is not eating that every single day c'mon.” We contacted the creator of the video for comments, but did not get a response.
These editing techniques not only apply to What I Eat In A Day videos, but are also evident in exercise and diet content, such as those tagged with #fitspo or #cleaneating – types of content that often fall in a grey area.
However, these videos need to be viewed within a broader context. For some content creators, sharing their food diaries is part of their recovery journey.
Here are all the videos in our dataset that included at least one vanity shot.
One creator reveals that she is “trying to lose weight, but being realistic without putting pressure” on herself. Another documents her day “as a fat girl who’s not trying to lose weight”.
A third creator says: “This is a What I Eat In A Day video that won’t make you feel bad about yourself, and it’s just a normal amount of food from someone that does not restrict or count calories.”
What I Eat In A Day videos are engaging, but the interaction they create is largely parasocial – a one-sided relationship where the audience feels connected to someone they don’t actually know personally.
In our dataset, 44 per cent of the videos were narrated by the creator, often using first-person pronouns such as I or we. Viewers are more likely to identify with the person in the story when first-person pronouns are used, says Associate Professor Kim Hye Kyung from Nanyang Technological University’s Wee Kim Wee School of Communication and Information.
Prof Kim, whose research area lies in media effects and narrative persuasion, adds that first-person perspectives in videos can be conveyed through camera angles, such as selfies.
In the video we watched earlier, the creator engages with the camera 30 times, breaking the fourth wall – an invisible barrier between the audience and character.
The mirror selfie is a form of indirect engagement, inviting the viewer into an intimate space they typically wouldn’t have access to.
This creates the sense of a mutual connection between the audience and the creator, but in reality, social media is very parasocial, Dr Sim says.
If we were to remove all the engagement shots, this is what it would look like.
The first National Youth Mental Health study conducted in Singapore in 2022 revealed that 20.2 per cent of young people experienced moderate to severe concerns about their body shape.
The potential negative impact of the media on body image is not new, stemming from society’s tendency to associate health with appearance. But the difference today lies in the drastically changed media landscape.
TikTok popularised short-form videos.
The platform debuted globally in 2018, focusing primarily on short-form video content. In 2023, it had 1.5 billion monthly active users, with 29.8 per cent of them aged between 18 and 24, according to the Business of Apps’ TikTok report.
People today tend to have shorter attention spans and prefer their information bite-sized, says NTU’s Associate Professor Chen Lou. In an era of information overload, time is limited, and everything is competing for attention, she adds.
Here’s the distribution of videos in our dataset by their duration.
Although TikTok videos use editing techniques similar to early Hollywood cinema, they have a different effect on the viewer, Dr Sim says.
While films are typically much longer, they have a clear beginning and end and are recognised as artistic creations. TikTok videos, in contrast, appear more like slices of everyday life.
They are not only easy to create, but also very accessible, which means people consume many of these videos in one sitting. As a result, these TikTok videos collectively present a continuous, unbroken narrative, she adds.
This becomes an issue when vulnerable young people are not able to differentiate between edited content and reality.
The social media experience, as a whole, has changed significantly.
The source of content delivered to users today is vastly different from a decade ago, when it primarily came from friends or family. Now, algorithms recommend content based on predicted interests, often featuring people outside one’s personal networks.
TikTok influencers have become the role models for today’s younger generation, says Prof Lou, with young people learning from them by observing what they do on the platform.
Video-centric social media platforms such as YouTube and TikTok are now more popular compared with Facebook and Twitter in 2015
Note: Figures for 2015 were collected from 2014 to 2015. The survey did not ask about YouTube, WhatsApp, Twitch and Reddit. TikTok debuted globally in 2018.
Source: Pew Research Center
There appears to be an overall shift towards a more “TikTok style of algorithm-driven content presentation” in today’s social media landscape, says Prof Griffiths, whose research focuses on body image, social media and eating disorders.
What sets TikTok apart from other social media platforms is its highly personalised “For You Page”, which is the central feature of the user experience.
Research suggests that TikTok’s algorithm determines the content you enjoy not just through deliberate actions, such as “following” a friend or “liking” a post, but also by tracking non-volitional behaviour, like the time you spent watching a video.
This has pros and cons.
If you are in a good headspace, you are likely to spend more time watching videos that you find funny or interesting, Prof Griffiths says.
But if you have a vulnerability, the risk is that it may be intensified.
For example, if a 15-year-old feels insecure about their body, watching TikTok videos of people with smaller bodies may lead them to spend more time on such content, evoking feelings of guilt and self-comparison, he adds.
“You might not tap the ‘like’ button – but you’re much more likely to get videos like that in the future.”
Compared with those who don’t have an eating disorder, those
with an eating disorder...
Note: This is a distribution chart showing the percentage of videos received by two groups: one with eating disorders and the other without. Data is retrieved from Prof Griffiths’ latest study and can be accessed here.
This prioritisation of non-volitional user behaviour can send vulnerable users into echo chambers, where the content progressively worsens their situation, Prof Griffiths says.
A TikTok spokesperson said the platform does not allow posts showing or promoting disordered eating and dangerous weight loss behaviours.
“We also interrupt repetitive content patterns to ensure that dieting and extreme fitness content is not viewed too often,” the spokesperson said. “We work with a wide range of experts to protect the well-being of our community and to provide access to well-being resources.”
Users searching for “what I eat in a day” on TikTok see a pop-up message: “You are more than your weight”. The message reads: “If you or someone you know has questions about body image, food, or exercise - it is important to know that help is out there and you are not alone.” It includes links to information and treatment options.
What’s next? Tackling the grey area with more research and media literacy
TikTok has been taking steps to make its platform safer, including adding safeguards and content advisories. Since mid-2023, TikTok has allowed users to “refresh” their “For You Page”, resetting the types of content the algorithm presents to them.
But it is the nuanced, grey area content, such as What I Eat In A Day videos, that makes it tricky for TikTok to take action in terms of moderation or censorship, Prof Griffiths says.
Beyond that, it comes down to media literacy and educating users that what they see on social media is not the full picture.
“Behind every edited video, there is a lot that goes unseen,” Dr Sim says. “So the most important thing is to break the illusion of perfection.”