Dior haute couture goes low-key

Schiaparelli adopts an animal theme, incorporating shocking pink and feathered flamingo headdresses (left). Dutch designer Iris van Herpen pushes boundaries with futuristic designs, including a pleated dress that blossoms into a headdress (right). Di
Dior designer Maria Grazia Chiuri goes back to basics with the collection (above), rolling out a palette of nudes, navies and dusty pinks that warmed into tangerine, leaf green and colourful embroidery. PHOTOS: AGENCE FRANCE-PRESSE, REUTERS
Schiaparelli adopts an animal theme, incorporating shocking pink and feathered flamingo headdresses (left). Dutch designer Iris van Herpen pushes boundaries with futuristic designs, including a pleated dress that blossoms into a headdress (right). Di
Dior designer Maria Grazia Chiuri (above) goes back to basics with the collection, rolling out a palette of nudes, navies and dusty pinks that warmed into tangerine, leaf green and colourful embroidery. PHOTOS: AGENCE FRANCE-PRESSE, REUTERS
Schiaparelli adopts an animal theme, incorporating shocking pink and feathered flamingo headdresses (above).
Schiaparelli adopts an animal theme, incorporating shocking pink and feathered flamingo headdresses (above). PHOTOS: EPA-EFE
Dutch designer Iris van Herpen pushes boundaries with futuristic designs, including a pleated dress that blossoms into a headdress (above).
Dutch designer Iris van Herpen pushes boundaries with futuristic designs, including a pleated dress that blossoms into a headdress (above). PHOTOS: EPA-EFE

The French fashion label glorifies classic craftsmanship in its autumn/winter 2018-19 collection

PARIS • Some of the gowns required 800 hours of work, but were not intended to clock up "likes" among the Instagram crowd.

On Monday, fashion powerhouse Dior brushed aside the whims of the social-media generation with its deliberately low-key new haute couture collection, arguing that the world's most expensive clothes do not need to shout for attention.

Designer Maria Grazia Chiuri said she wanted the French label's latest prestige range to glorify classic craftsmanship instead.

"It's hidden luxury," the Italian explained as the collection of dreamy ballgowns and neat, 1940s-inspired tailoring went on show before the global fashion elite in Paris.

"The audience that buys couture is not an audience that spends its time on Instagram," she noted.

"The audience for couture knows what couture means - it's a piece that's made specially for you, just for your body, that it needs time."

Chiuri went back to basics for autumn/winter 2018-19, kicking off with a muted palette of nudes, navies and dusty pinks which eventually warmed into tangerine, leaf green and colourful embroidery.

Many of the models wore demure berets or the kind of timeless, full-skirted gowns that would not go amiss at the stiffest of high society balls, but Chiuri was also not afraid to flash a bit of flesh.

After taking a strong feminist stance in her recent work, she also threw a few sharp gold power-suits among a wealth of feminine touches such as dainty embroidered flowers.

Chiuri said her discerning customers did not need to be ostentatious.

"Sometimes, people believe that couture is something that shows off, that if it's expensive, that has to be visible," she added.

"No, that's not couture."

Only 14 fashion houses boast the "haute couture" label, which is accorded under strict criteria by the French government to reflect the craft that goes into these hand-sewn, custom-made garments.

Chiuri said she wanted her new range for the 0.0001 per cent to pay tribute to the atelier, the designer's workshop where the magic happens. That much was clear from the backdrop of white-clad designer's mannequins at Paris' Rodin museum, where Hollywood actress Katie Holmes and Victoria's Secret model Karlie Kloss were among the audience.

If Dior stuck to tradition, then Iris van Herpen took the opposite approach on day two of haute couture week, unveiling a collection true to her credentials as one of the most boundary-pushing designers.

The Dutch futurist said she was inspired by "the current scientific shift in which biology converges with technology", showing off dresses whose patterns mimicked soundwaves produced by birdsong.

Some of her designs would not have looked out of place in the Star Wars cantina, including a black wire bodice that sat over the model's body like a cage, and a dress made of innumerable grey pleats that blossomed into a headdress.

Schiaparelli, meanwhile, took on a playful animal theme, with designer Bertrand Guyon mixing zebra and leopard prints with the label's trademark shocking pink and decking out models in bunny ears and feathered flamingo headdresses.

AGENCE FRANCE-PRESSE

A version of this article appeared in the print edition of The Straits Times on July 04, 2018, with the headline 'Dior haute couture goes low-key'. Print Edition | Subscribe