Why black-and-white films may be gold

Oscar nominees Roma and Cold War convey the poignant memories of a distant past

Roma, a Spanish-language movie set in 1970s Mexico City, has a documentary-like feel. It highlights the resilience of Cleo (Yalitza Aparicio, right), a housekeeper based on writer-director Alfonso Cuaron's (left) childhood nanny.
Roma, a Spanish-language movie set in 1970s Mexico City, has a documentary-like feel. It highlights the resilience of Cleo (Yalitza Aparicio, right), a housekeeper based on writer-director Alfonso Cuaron's (left) childhood nanny. PHOTO: NETFLIX
Roma, a Spanish-language movie set in 1970s Mexico City, has a documentary-like feel. It highlights the resilience of Cleo (Yalitza Aparicio, left), a housekeeper based on writer-director Alfonso Cuaron's (far left) childhood nanny. Cold War, about t
Cold War, about the romance between a singer (Joanna Kulig) and musician (Tomasz Kot, both above), has a stylised look. PHOTO: ANTICIPATE PICTURES
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LOS ANGELES • More than 50 years have passed since the Oscar categories honouring colour and black-and-white cinematography merged - and in that time, 1993's Schindler's List has been the only film of the latter style to win.

But monochrome's unlucky streak could soon come to an end - Roma and Cold War are this year's top picks for best cinematography, marking the first time since 1966 that multiple nominees have been shot in black-and-white.

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A version of this article appeared in the print edition of The Straits Times on February 18, 2019, with the headline Why black-and-white films may be gold. Subscribe