The afterlife and fashion on screen

Their Remaining Journey and The Tailor take centre stage at the National Gallery Singapore's Painting With Light festival

Their Remaining Journey (left) is the debut feature by home-grown visual artist John Clang (above); while The Tailor (below) is Vietnam's entry to next year's Academy Awards' Best Foreign Language Film category.
Their Remaining Journey (above) is the debut feature by home-grown visual artist John Clang. PHOTO: NATIONAL GALLERY SINGAPORE
Their Remaining Journey (left) is the debut feature by home-grown visual artist John Clang (above); while The Tailor (below) is Vietnam's entry to next year's Academy Awards' Best Foreign Language Film category.
Their Remaining Journey is the debut feature by home-grown visual artist John Clang (above). PHOTO: NATIONAL GALLERY SINGAPORE
Their Remaining Journey (left) is the debut feature by home-grown visual artist John Clang (above); while The Tailor (below) is Vietnam's entry to next year's Academy Awards' Best Foreign Language Film category.
The Tailor (above) is Vietnam's entry to next year's Academy Awards' Best Foreign Language Film category. PHOTO: NATIONAL GALLERY SINGAPORE
New: Gift this subscriber-only story to your friends and family

There is a ghost character in Singaporean visual artist John Clang's debut feature film, Their Remaining Journey.

A few reasons exist for why Clang (born Ang Choon Leng) has a ghost in his drama. One is that he believes they exist and the other is that one might have saved his life.

Already a subscriber? 

Read the full story and more at $9.90/month

Get exclusive reports and insights with more than 500 subscriber-only articles every month

Unlock these benefits

  • All subscriber-only content on ST app and straitstimes.com

  • Easy access any time via ST app on 1 mobile device

  • E-paper with 2-week archive so you won't miss out on content that matters to you

Join ST's Telegram channel and get the latest breaking news delivered to you.

A version of this article appeared in the print edition of The Straits Times on October 11, 2018, with the headline The afterlife and fashion on screen. Subscribe