Speaking to reporters at a press event in London, he adds: "The training was harder. I've been through it before. But you don't just pick up where you left off, certainly not at my age. It's like starting from the beginning again."
This time around, the paternal chemistry between Firth and Egerton, 27, is recalled from the first movie, but augmented to also focus on a brotherly vibe between Mark Strong's gadget-guru Merlin, who takes Eggsy to the whisky country of Kentucky after an explosive opening sequence that activates a dramatic change in a London- based game plan.
Enter the Statesman, or a secret service masquerading as a bourbon distillery. Run by a jeans and waistcoat-wearing cowboy called Champagne (Bridges), the organisation boasts its own American dream team of swashbuckling problem kid Tequila (Channing Tatum), wild- card shooter Whisky (Pedro Pascal from Game Of Thrones) and computer geek Ginger Ale (Berry).
As Berry, 51, wryly observes in the film's production notes: "They don't go to the same tailors."
While the first instalment thrived on the culture clash between Egerton's uncouth lout and Firth's polished gentleman, laughs in the second movie are played up through cowboy humour-meets-Brit wit.
One stunning and somewhat bizarre scene has Strong, 54, singing John Denver's classic Country Road to gushing orchestral accompaniment in a tropical rainforest.
Strong, who had to work up his vocal cords for the searing solo, says: "I do get carried away sometimes. That song was a good one to be able to sell."
In fact, the collaboration with American actors was built on deeper, different currents.
Strong says: "We're very different in the way we perform. We're very much more text-based. For us, it's about the lines on the page - it comes from the theatre.
"For Americans, they are fantastic with just being easy... with props. Jeff Bridges just sat down, had a glass, had a drink, did the lines, did all this stuff. And then Take 2, all over again - all this complicated work - they're more gifted at that kind of thing."
The real American trope being showcased for everyone's delectation in this film, however, is the one of America's Sweetheart gone wrong in the form of Moore's drug baroness Poppy, who favours technologically creative and gory contract killings delivered with Martha Stewart's smarm and graciousness.
Moore, 56, says playing this bad-a** character was "fun".
"It felt very free because she's somebody who doesn't have any parameters. She has no constraints in her behaviour. You're never tamping yourself now. She's like, 'Whaaaaat can I do now?' That was really enjoyable. It's almost like being a badly behaved four-year- old in your own room doing what you want to do."
She adds: "Matthew wants the villains to have a real reason to do what they're doing, to almost seem right. I think it's genderless - the idea of having power and authority and being who you want. I like the idea that she wears clothes that she loves. And she has her nails done and she's powerful. She lives the way she wants to."
Moore's turn as a tech-savvy, almost-feminist arch-villain looks set to stir up debate about double standards with regard to drugs access, legality and addiction in an age when the widespread and unrestrained impact of sugar, tobacco and alcohol addiction is also being felt globally.
The movie's plot also fields an apparently prescient interpretation of a naive-but-hardline American president who responds in horrifying cartoonish ingenuity to a national crisis on state-wide camera.
Indeed, cartoon schlock and antics reined in by the occasional British irony and American hard graft seem to be the order of the day for the movie, which attempts to get away with its violence and gore by turning its most disturbing moments into genre parodies of beautiful colour and contrast.
While there is no scene in The Golden Circle to parallel the first instalment's grand finale of a multiple decapitation in a church, there is bloody farce in a burger joint and serious ball-throwing in a bowling alley.
Egerton says: "Sometimes when you read a script, you go, 'Really? Are you sure?' And you see it on the screen and you go, 'Bloody hell, that works.'
"Matthew's brave enough to go a little bit further. But he also knows how to exercise restraint. It's just that the boundaries are probably different from other people's. What makes it this distinctive universe is Matthew's imagination."
With the second instalment of the franchise now completed, talk is that a third instalment - already in the making - will take the franchise into Asia.
Indeed, a villainous minor character hailing from no other than Singapore makes a tantalising appearance, which will surely be followed up in a future sequel.
Tatum, 37, says he has gotten "a little sampling of what's gonna happen in the third... and it's gonna go a lot farther than East. Ain't nobody's ready for what's gonna happen in the third".
• Kingsman: The Golden Circle is in cinemas in Singapore.