A TIME FOR EVERYTHING
Taihe Music Group
It is her 25th anniversary as an entertainer and home-grown singer Kit Chan is in a mellow mood.
Her debut record, Do Not Destroy The Harmony, was released in 1993 and was reworked and repackaged as Heartache for the Taiwanese market the following year. It shot her to fame and she became known for heartbreak ballads such as Heartache, Sadness and Dazzle, which often shot for the high notes.
But it was already clear from her previous album, The Edge Of Paradise (2016), that Chan has since moved on.
A Time For Everything takes a similar approach. It is a warm and comfortable record that luxuriates in her soothing voice, and listening to it is like having afternoon tea with a good friend.
She sings of an old love on the ballad Crescent Moon, with its elegant old-school vibe: "Crescent moon, hurts so much heart is broken into two/Moonlight has drenched these years in blue".
When she sings about heartbreak now, it is leavened with the passage of time.
There is more to sing about than romantic love though and she notes in The Best Age: "The theme of life is not always love".
The album is suffused with the wisdom one has gleaned from growing older and learning to be comfortable in one's skin. Enjoy Loneliness is set to a breezy bossa nova arrangement as she wonders lazily: "By myself/Spending the afternoon alone/Only quandary is coffee or wine".
It is very much a reflection of where she is at this point in life.
Chan pens the lyrics for the title track, the lone English number, and it seems to be about her coming to terms with being single again: "Now it's time to draw the line/We were never the same kind/I'm a fool to think that love would make wrongs right". Could this be the most personal song the private star has recorded?
Also included here are three covers, including one of Faye Wong's songs, Love Letters To Myself. It means we get at least one song from her in Cantonese, a language she is very much at home in.
A Time For Everything was recorded in live sessions and there is even an outtake of her just talking after Please Find Me ends. It lends the music a cosy immediacy, as though you are curled up on a sofa as Chan sings directly to you.