When writing the comedy-drama Still Human, film-maker Oliver Chan Siu Kuen had a few goals.
One was to capture the complicated nature of the foreign domestic worker-employer relationship. The other was that the characters had to feel like real Hong Kong people.
Already a subscriber? Log in
Read the full story and more at $9.90/month
Get exclusive reports and insights with more than 500 subscriber-only articles every month
ST One Digital
$9.90/month
No contract
ST app access on 1 mobile device
Unlock these benefits
All subscriber-only content on ST app and straitstimes.com
Easy access any time via ST app on 1 mobile device
E-paper with 2-week archive so you won't miss out on content that matters to you