Singapore International Festival of Art

Singapore International Arts Festival draws record crowds

Becoming Graphic.
Becoming Graphic.PHOTO: CALL THE SHOTS PHOTOGRAPHY
Insects in glass vials (above).
Insects in glass vials (above).PHOTO: ROBERT ZHAO
Dragonflies.
Dragonflies.PHOTO: CRISPIAN CHAN

The Singapore International Festival of Arts (Sifa) ended its run last Saturday with a record-high reach of 218,000 viewers.

Overall sales were at 85 per cent for the festival, which had 111 unique events. Of these, 19 were works it had commissioned.

Outgoing festival director Ong Keng Sen, who has helmed the annual affair since it launched in 2014, says the numbers validate his team's programming decisions.

He says: "The festival has put a mark on the fact that art is important. Through the last five years, we've been told that art is elitist and we have to create events that are not too highbrow. Art is accessible and we need to believe in that."

Last year's festival had an attendance of 155,000, bolstered by a giant art-and-video installation in The Meadow @ Gardens by the Bay, created by Israeli architect Ron Arad. In 2015, the attendance was 62,000.

This year, audience numbers include those who caught the festival's Facebook Live video streams of full events, such as O.P.E.N. Kitchens and O.P.E.N. Homes.

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    BECOMING GRAPHIC

    Sonny Liew and Edith Podesta

    An innovative, quirky and richly textured exploration of the history and hold of comics on the Asian consciousness. This production may have set itself a very tall order, resulting in some calling it an "uncooked mess", but, to me, it spoke truth to power in refreshingly creative ways. Liew's free-wheeling inventiveness was tempered beautifully by Podesta's poetic monologues and tight direction. All in all, it nourished the head, heart and soul.

    Cheong Suk-Wai

  • THE NATURE MUSEUM

    The Institute of Critical Zoologists

    This eclectic collection of artefacts - from insects in glass vials to an assortment of wildlife traps - weaves together science and storytelling with fascinating results. The exhibition comes alive in a one-hour "museum tour" by its creators, artist Robert Zhao Renhui and playwright Joel Tan, blurring the boundaries between fact and fiction, nature and construct, as well as documentary and art.

    Olivia Ho

  • DRAGONFLIES

    Pangdemonium

    A strong cast, tight staging and script full of compassionate insight made this play unforgettable. Dragonflies looked at what drives economic migration across the globe and was a sobering story about climate change and xenophobia.

    Akshita Nanda

In these productions, volunteers around the island opened their homes and kitchens to strangers. They performed personal stories or taught guests to cook their favourite recipes.

The festival, which began on June 28, put the audience front and centre with such interactive events.

About 300 people signed up to be extras in Lizard On The Wall, a film shot by acclaimed local film-maker K. Rajagopal, inspired by Singaporean novelist Balli Kaur Jaswal's book Inheritance. The final film was screened at a gala event closing the festival last Saturday evening.

Most shows on the main stages were almost sold out, including Art Studio, a theatrical adaptation of the novel of the same name; Becoming Graphic, featuring comic artist Sonny Liew; and Ong's reworking of Trojan Women with the National Theatre of Korea.

Ms Renette Lee, 21, bought a $45 O.P.E.N. Pass, which guaranteed access to all events in the O.P.E.N., a season of workshops and performances from June 28 to July 30 that led into the main festival season.

She caught three films screened during the O.P.E.N. Films segment, danced as an extra in Lizard On The Wall and also watched the first night of Art As Res Publicae, a public forum on what sort of content is permissible on stage.

She signed up to make bamia, a Middle Eastern stew, with father-daughter cooks Nabila Talib and Abu Talib. During the event, strangers shared their memories of food and cooking.

"All the events were enjoyable, but O.P.E.N. Kitchens still warms my heart when I think about it," says Ms Lee, who is doing a degree in sociology at SIM Global Education, in partnership with the University of Buffalo. "We didn't know one another, but sat down to eat together. It was warming to know how food can bring people together."

From next year until 2020, Sifa will be helmed by Gaurav Kripalani, artistic director of the Singapore Repertory Theatre. The festival will be condensed into three weekends, from April 27 to May 13.

Ms Sarah Martin, chief executive officer of Arts House Limited, which runs Sifa, says: "Under Keng Sen's stewardship, Sifa offered audiences many unique, cutting-edge and innovative new artistic experiences."

She adds that one of its key successes was "its ability to engage audiences and arts practitioners on a deeper, more intimate level through its events", which will continue as one of the hallmarks of Sifa.

"Moving ahead, incoming festival director Gaurav Kripalani and his team will expand Sifa's track record of programming accessibility to reach out to even more new audiences, and do this while maintaining the high quality of programme delivery, while encouraging reflection and dialogue," she adds.

A version of this article appeared in the print edition of The Straits Times on September 12, 2017, with the headline 'Festival draws record crowds'. Print Edition | Subscribe