Model-host Heidi Klum becomes her severed left hand for Halloween

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Heidi Klum peers out from her costume, a gory, giant severed hand modelled after her own left hand, at her 25th annual Halloween party on Oct 31.

Heidi Klum peers out from her costume, a gory, giant severed hand modelled after her own left hand, at her 25th annual Halloween party on Oct 31.

PHOTOS: AFP, JUTHARAT PINYODOONYACHET/NYTIMES

Alisha Haridasani Gupta

  • Heidi Klum turned herself into a giant, gory version of her own left hand for her 2026 Halloween party in New York, using a prosthetic based on a scan of her hand.
  • The costume was created by makeup artist Mike Marino and took months of work, showing Klum’s long-running aim to outdo herself with high-art Halloween looks.
  • Klum and Marino said past costumes like the 2019 alien were hardest, while the 2022 worm was the weirdest, as her party nears its 25th anniversary.

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NEW YORK - On Oct 31, German-American model and TV personality Heidi Klum transformed into a gory, 2.4m version of her own severed left hand for her annual Halloween party.

She was not, to be clear, Klum with her hand chopped off. She was the chopped-off hand.

And like the disembodied hand, known as Thing in the Addams Family franchise, Klum-as-hand scurried onto the red carpet at the Cathedrale restaurant inside the Moxy Hotel in Manhattan’s East Village on the tips of her signature red nails.

The rest of the prosthetic fingers featured a thumb ring she has worn for almost 15 years, and her “big old engagement clunker”, as she described her wedding ring.

Klum, 53, is married to German musician Tom Kaulitz.

“I don’t know how it sometimes happens,” Klum said, when trying to explain why she had decided to dress as her hand, or even her left hand instead of her right hand. “Sometimes the most random things that you see every day, all the time, can be the most interesting thing, if you twist it a little bit.”

The idea for the costume actually struck Klum in 2025, while Mike Marino, a Hollywood makeup artist and her longtime costume designer, was transforming her into Medusa.

“I remember sitting in the chair, and I said to Mike, ‘Do you want to know already my idea for next year?’ And he’s like, ‘Please, no, I’m focusing on getting Medusa squared away, I can’t handle this right now,’” she said.

So instead, she texted him the idea the next day. Marino’s team scanned Klum’s hand and used it as a reference, recreating every vein, crevice and joint.

2026 is the 25th anniversary of Klum’s Halloween party, which has become a fixture of New York City’s spooky season. Each year, she has tried to outdo herself with increasingly elaborate costumes.

In addition to Medusa, the Greek mythological monster whose gaze turns her victims to stone, Klum has dressed up as the alien E.T., a worm, a peacock and an ogress. She has also arrived as herself twice, once as a clone and another year as an older version of herself.

Heidi Klum in her Medusa costume, with animatronic snakes that moved around her head, at her annual Halloween party in 2025.

Heidi Klum in her Medusa costume, with animatronic snakes that moved around her head, at her annual Halloween party in 2025.

PHOTO: NINA WESTERVELT/NYTIMES

Until now, though, she had not dressed up as any of her limbs.

Each one of her looks has turned Halloween costumery into a kind of high art; they take months to design and then require Klum to sit for hours for the transformation. She will often go the entire night without eating, drinking or using the restroom in service of the look.

“I’m putting in as much or more effort into this than the movies,” said Marino, who has worked on the Batman films (2022 to present) and the HBO spinoff series The Penguin (2024).

The end result, he added, is often “avant-garde, surrealistic” pieces of art.

In the days before the 25th annual Heidi-ween bash, Klum and Marino opened their costume archive and shared tidbits about previous years’ transformations. These are edited excerpts from the conversation.

Each one of her looks has turned Halloween costumery into a kind of high art.

Each one of her looks has turned Halloween costumery into a kind of high art.

PHOTO: JUTHARAT PINYODOONYACHET/NYTIMES

Which costume was the hardest to create?

Klum: The 2019 alien. I did not have one part of my body that didn’t have a prosthetic piece glued on: My thighs, my chest, my stomach, my arm, the helmet. It was so many little details. I was sitting in the window from 8 in the morning until 11 o’clock at night. (Klum’s transformation took place inside an Amazon store, and passers-by could peek in through a window.)

Marino: Yeah, I think the alien takes it because she’s essentially naked.

Which one was easiest?

Klum: When I was a clone in 2016.

Marino: It wasn’t easy for me.

Klum: A lot of people don’t give the clones credit – that was hard to do. First of all, to find so many girls that have exactly my body shape, and then girls that would want to do this –

Marino: And who fit inside Heidi’s head.

Klum: The butterfly in 2014 was also easier compared to the others. But within the bug eyes, I had these batteries, and they were bugging me because they were literally so close to my eyeballs that I could hardly see anything.

Marino: But you also had the Thriller one in 2017 which was pretty easy, with just your chest and your hands.

Klum: No, that was a lot. It looked so perfect that people don’t get how many little pieces you glued on, painted on, and then the hair and everything. It looks like someone just took the head and popped it on top of my head, but it was my face.

Marino: The original on Michael Jackson was done by Rick Baker, the greatest ever in my industry. Afterward, Rick sent me a message and said, “I hate you.” He goes, “You made it better than mine.”

Which costume was the weirdest?

Klum: The worm in 2022. Because it was not just about painting the worm and building the worm, but it needed to be lubed to make it look like a rain worm. They look slimy, those worms. So I had like five people lubing me down.

Which ones were your favourites?

Klum: The worm. Just the simplicity of it, the weirdness.

Marino: I’m going to go with this year’s. NYTIMES

  • Additional reporting contributed by Sarah Bahr

  • This article originally appeared in The New York Times.

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