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Charmaine Lim
climen@sph.com.sg
Singapore Art Week: Slow start at Gillman Barracks
Book review: The Witches Of Vardo is a promising slow burn of righteous female rage
Beware of romanticised abuse in best-selling writer Colleen Hoover’s young-adult books
Light To Night 2023 is back in full swing
Sikh artist Inkquisitive returns to exhibitions after five-year break
BooksActually’s Kenny Leck said to be formally handing shop over to former employees
M1 Fringe Festival: Foreign Bodies is for both Singaporeans and migrant workers
Theatre review: My House Is A Wild World offers less than it promised
Godfather of Hong Kong comics Tony Wong says Web comics should be embraced
The Finger Players and Gold Satino team up to create an intimate show
Sound designer Guo Ningru and animation film-maker Jerrold Chong among Young Artist Award recipients
Dance review: A whiplash of intensities in Seeing Through The Eyes Of Impermanence II
Singapore International Violin Competition live-streams for the first time
Body & Spirit show at Asian Civilisations Museum offers spiritual look at wellness
Theatre review: Can I Make You A Suit, Mate? a perfect blend of comedy and sentiment
Nathania Ong is the first Singaporean to play Eponine in Les Miserables on the West End
ArtScience Museum’s Future World exhibition, MBS’ Digital Light Canvas show updated
Singapore Writers Festival: Hits and misses
Singapore Writers Festival: Home, racism and raging feminism spark thoughtful sessions
‘Napalm girl’ photographer Nick Ut, 71, still prefers to use a camera over a smartphone
Singapore Writers Festival: Crime, sexual desire and the ethics of influence
Singapore Writers Festival: Writing insights, bad boys and floundering moderators
Theatre review: Open-ended challenges in Puppet Origin Stories that linger
Artist Brian Gothong Tan creates NFT collection for T:>Works
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