Germany grapples with draft law on Nazi-looted art

BERLIN (AFP) - Germany this week debates a draft law to aid the return of Nazi-looted art, facing criticism of official foot-dragging after the recent shock discovery of a spectacular hoard of masterpieces.

Nearly 70 years after Hitler's defeat, the Bill will be presented on Friday in the upper house of parliament, which represents the 16 federal states at the national level, with the aim of helping the restitution of art that was extorted or stolen from Jewish collectors.

If turned into law, the Bavaria-drafted Bill would eliminate a statute of limitations applied to stolen property, usually 30 years, that some art collectors have used to protect their holdings from claims.

The move comes three months after news broke that around 1,400 long-lost works by the likes of Picasso, Cezanne and Degas had been discovered in the Munich flat of an elderly German recluse.

Another 60-odd artworks, including pieces by Monet and Renoir, have now been unearthed at the Salzburg house in Austria of 81-year-old Cornelius Gurlitt, his spokesman said in a surprise announcement on Tuesday.

The proposed law is dubbed the Lex Gurlitt after the son of a Nazi-era art dealer in whose apartment the art hoard was found in 2012, a discovery which authorities long kept quiet.

So far the reception has been mixed to the new push to right past wrongs.

"In principle this draft law is a positive sign," said Mr Markus Stoetzel, lawyer for the descendants of Alfred Flechtheim, a leading 20th-century German Jewish art dealer.

"It shows that the political conscience is in the process of waking up in Germany after lapses in the past. The Gurlitt case has got things moving," he told AFP.

However Ms Sabine Rudolph - representing the heirs of a Jewish lawyer from Dresden, Fritz Salo Glaser, who are demanding the restitution of at least 13 artworks from the Gurlitt trove - was more sceptical.

"In my opinion, this draft law is just a case of 'action for show'," she said.

She took aim in particular at a clause that victims' heirs must prove the work's current holder acted in bad faith, by knowing the item's origin or having clear evidence for it.

"How do you want them to do that?" she asked.

Mr Stoetzel also underscored the practical difficulties of such a condition after so many years and said the draft law, which would also have to pass the lower house, was only "a first step".

"After 70 years, in many cases, knowledge about the fate of paintings is very basic. Many documents have been lost," he said.

Culture Minister Monika Gruetters has acknowledged the hurdles and predicted "some difficulties in its implementation" in recent comments to the Frankfurter Allgemeine Zeitung daily.

She said she was pondering, together with the justice minister, "legal possibilities" that could help.