Concert review: Jury out on whether live music enhances The Lord Of The Rings
Published on Jun 8, 2014 8:40 AM
It was Richard Wagner who first conceived his operas as gesamtkunstwerk (German for "works of complete art"), a form that unites every facet of art and aesthetics into an exhaustive and all-consuming whole. The Ring Of The Nibelung cycle remains his ultimate achievement, a saga of four operas that runs over four evenings, spanning almost 14 hours of drama and music.
The present-day analogy might be The Lord Of The Rings, the three blockbuster movies directed by Peter Jackson, based on J.R.R.Tolkien's epic novels on the Hobbits and the war between good and evil set in Middle-earth. Its feat of story-telling would have been diminished without the expansive music of Howard Shore which accompanied about nine hours of non-stop action.
The Metropolitan Festival Orchestra (with the technical team from CAMI Music) performed the soundtrack to The Fellowship Of The Ring, the first movie of the cycle, to critical acclaim in June last year. The second movie The Two Towers continued in similar vein, and three shows at the 5,000-seat hall of The Star Theatre on Friday and Saturday suggests there is a local market here for movies accompanied by live music.
Did the audience come for a movie or for a concert? The 80-member orchestra and 170-singer Vocal Associates Festival Chorus (including 50 children) were the centrepiece on stage. They were greeted with applause when conductor Justin Freer stepped on the podium. The film then rolled on the screen like in a cinema, except the performers were visible and illuminated throughout the show.
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