Britney Spears brings a bit of Las Vegas to Singapore Indoor Stadium

With clever projections and lighting and plenty of costume changes, Britney Spears took her fans through a gamut of scenes, from the club to the boudoir to the raunch of Las Vegas.
With clever projections and lighting and plenty of costume changes, Britney Spears took her fans through a gamut of scenes, from the club to the boudoir to the raunch of Las Vegas.ST PHOTO: MARK CHEONG

The singer's concert had something new and something old - new arrangements for her songs, which then segued back into the original versions

REVIEW / CONCERT

BRITNEY LIVE IN SINGAPORE

Britney Spears

Singapore Indoor Stadium

Last Friday

American singer Britney Spears brought a bit of Las Vegas to her concert in Singapore last Friday night, with razzle-dazzle costumes, spectacular sets, lasers and a troupe of dancers to flank the one-time princess of pop.

She kicked off the Singapore Indoor Stadium concert at 8.10pm with Work Bitch in a sparkly green leotard that left little to the imagination.

Many in the crowd were millennials, who grew up during the singer's peak when No. 1 albums, award show performances and being paparazzi fodder were the norm for her.

She is recognised by Billboard as the top-selling female artist in the 2000s. Six of her albums, including her first four, have topped the American charts.

As if to acknowledge Friday night's performance as her first full-length concert here, she segued from the opening numbers into Break The Ice, which opens with "It's been a while, I know I shouldn't have kept you waiting... but I'm here now".

She did a showcase performance for music industry executives here in 1998, a year before her debut album ...Baby One More Time became a worldwide hit.

The 35-year-old star's energy has clearly not waned since then.

Friday's 90-minute show was so breathlessly exciting that she could be excused for the little singing that she did - she appeared to lip-sync her way through the set, breaking only to speak to the crowd in her lilting Louisiana accent.

But at one point during the concert, she belted out Happy Birthday to a member of her team, almost as if to prove she could still hold a tune.

Not that it mattered to the 7,800-strong crowd.

In fact, her fans - such as air stewardesses Lana Jai, 29, Jamie Jidsuda, 33, Patty Sathansuk, 29, and Bim Buddhavana, 31 - said they did not care about the lip-syncing. They were dressed like their idol as she was seen in the music videos for Me Against The Music, Toxic and Hit Me Baby One More Time.

Ms Jai says it was important for them to be at the concert because they "grew up with Britney".

"The ticket price wasn't important because if you compare it to paying for a flight to see her in Las Vegas, it's okay."

Spears, who has held residency in Las Vegas for the past four years with Britney: Piece Of Me, seemed to closely replicate much of that show's major themes at the Indoor Stadium.

With clever projections and lighting, she took the audience from the club (Boys, Scream & Shout) to the boudoir (sensuous numbers such as Slave 4 U, during which she brought out a stripper pole).

Outfit changes were also aplenty as she went from one tiny leotard paired with thigh-high boots to another, showing off her fantastic body in them.

The raunchiness of Vegas also took centre stage.

Spears brought on stage a lucky male fan from Singapore for the sadomasochistic-themed track Freakshow, with her dancers strapping him to a harness as she proceeded to make him crawl on all fours - never mind that her boyfriend, model Sam Asghari, appeared to be standing at the side of the stage watching her perform.

According to Spears' Instagram, Asghari has been tagging along on the Asian leg of her tour, which has also taken her to places such as Thailand, Hong Kong and the Philippines.

Surprisingly, she did not milk the nostalgia of early hits such as (You Drive Me) Crazy and Stronger for the concert.

She managed to keep things fresh by changing the arrangements for almost all her songs, which ran the gamut from ...Baby One More Time (1999) to last year's Glory.

But she also retained familiar elements. For instance, on tracks such as Me Against The Music, her dancers wheeled set pieces of walls around her, reminiscent of similar walls featured in the music video.

And all the songs eventually segued into the original, recognisable, radio versions, which kept fans happy.

As she closed the show with an encore of Till The World Ends and a triumphant confetti shower over the standing pen, one thing was clear: After all these years, the spotlight still loves her.

A version of this article appeared in the print edition of The Straits Times on July 03, 2017, with the headline 'Britney, hit me one more time'. Print Edition | Subscribe