The groundwork for meaningful collaborations starts early, sometimes years beforehand, to build connections and trust between companies.
Kuik met Ross McCormack from New Zealand dance company Muscle Mouth in February last year during the Auckland Arts Festival and liked the company's aesthetic, which is similar to physical theatre.
The companies will present two new works, collectively titled Borderline, from June 22 to 24. They will be performed by six dancers from T.H.E Dance Company.
Building networks internationally can also help to extend the life of a work after it is first shown.
Kuik says: "Singapore is a very small country. It is important for our artists to get more international connections. You need to find ways to make your work travel."
For example, he hopes that Naka, a collaboration between Singapore dancer-choreographer Goh Shouyi and Japanese dancer-choreographer Mai Kubota, will be able to travel to Japan.
The piece is part of the Asian Festivals Exchange programme, a showcase featuring South Korean and Japanese dancers and choreographers alongside Singapore talent on June 26.
The connections work both ways.
Bulgarian choreographer Dimo Kirilov will not only perform with his wife, Japanese dancer-choreographer Tamako Akiyama, for Binary, a showcase of international dance talents on June 29 and 30, but he will also stay on in Singapore till August for a residency with T.H.E Dance Company.
Kuik says such collaborations "keep the flow of the energy circulating" in the company and ensures its artists keep learning through the exchanges.
Ultimately, these cross-border activities also help to overcome "the limitation of our arts environment", he adds. "The market is small here. But we need to see that we are not just Singapore; we are part of the larger world.
"We need to make the impossible possible. That's the only way to grow our scene."
BORDERLINE
By T.H.E Dance Company and Muscle Mouth