Row over traditional masked dance averted with double Unesco listings

Earlier listing of Cambodian form of shared heritage initially sparked anger among Thais

Thai academic Anucha Thirakanont holding a khon mask he keeps in his office at Thammasat University. Cambodia's masked dance performance known as Lkhon Khol Wat Svay Andet.
Cambodia's masked dance performance known as Lkhon Khol Wat Svay Andet. PHOTO: MINISTRY OF CULTURE AND FINE ARTS OF CAMBODIA
New: Gift this subscriber-only story to your friends and family

In a classical performance known as khon in Thailand and lkhon khol in Cambodia, dancers in glittering papier-mache masks wage a battle of good and evil, enacting scenes derived from the Indian epic Ramayana.

But the shared tradition almost turned into a political hot potato recently when the United Nations inscribed the lkhon khol performed in a community east of Phnom Penh in its list of Intangible Cultural Heritage in Need of Urgent Safeguarding.

Already a subscriber? 

Read the full story and more at $9.90/month

Get exclusive reports and insights with more than 500 subscriber-only articles every month

Unlock these benefits

  • All subscriber-only content on ST app and straitstimes.com

  • Easy access any time via ST app on 1 mobile device

  • E-paper with 2-week archive so you won't miss out on content that matters to you

Join ST's Telegram channel and get the latest breaking news delivered to you.

A version of this article appeared in the print edition of The Straits Times on December 17, 2018, with the headline Row over traditional masked dance averted with double Unesco listings. Subscribe